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“... South Asia, Nepal and Bhutan who have toiled to build the new city. This racialised hierarchy, as John McManus argues in his anthropological account of Qatar, is a modern version of the British Empire’s ethnic division of labour.Since 1971 Qatar has been an independent nation-state under a near absolutist monarchy. Its immense wealth is largely derived ...”

“... from the Great Fire in September 1666. But the burning town wasn’t London. The play was John Fletcher’s The Island Princess, a tragicomedy written half a century earlier, and set on the islands of Ternate and Tidore in what is now Indonesia. The opening stage direction, however, states: ‘The Scene India’. The Island Princess is the only ...”

“... In John Lanchester’s novel Mr Phillips, the hero, a newly redundant accountant, is taken hostage during a bank robbery. Lying face down on the ground, he passes the time rehearsing a conversation he’d had with his former colleagues about the statistics of the National Lottery. The chance of winning is about one in fourteen million, which is much lower than the risk of dying before the week’s lottery is drawn ...”

“... incidents he prefers to gloss over. Ferguson had a share in the horse with the Irish businessman John Magnier, a very wealthy man whose interests (in conjunction with his associate J.P. McManus) ranged from stud farms to currency trading. What started out as a bit of fun turned deadly serious once Rock of Gibraltar began ...”

“... She does male drag with relish, especially the swaggering, leering, slouch-hatted variety. (John Huston, watching Monroe walk away from her audition for The Asphalt Jungle: ‘Sweet Jesus. Look at the ass on that little girl, will you?’) In the joyfully sleazy What I Lived For (1994), Oates adopts this voice for the duration of a novel, following a ...”

“... the arrival of a portrait of Nairn by Sandy Moffat – which they partially paid for – at the McManus Gallery in Dundee. Being painted by Moffat has become a mark of entry into Scotland’s intellectual pantheon, formalising Nairn’s place alongside figures like Hugh MacDiarmid, Muriel Spark and Ascherson himself. Ascherson is keen that this process of ...”